They barge in, do things a jazz piano trio isn’t supposed to do, such as play Blondie’s ‘Heart of Glass’ or Kurt Cobain’s ‘Smells Like Teen Spirit.’ To get inside these songs, and their own well thought-out originals, they may inflict a bit of grievous bodily harm on the musical structures, but at least they give you a musical experience you won’t forget easily. That’s what’s so refreshing about the Bad Plus. You know, get inside there, push the furniture over, chuck things out of the window and generally make a nuisance of themselves. Very few jazz groups today set out to mess with your head. The Bad Plus: These Are The Vistas (Columbia)Įthan Iverson (p), Reid Anderson (b) and Dave King (d). Groundbreaking, it gave young British jazz bands the guts to label themselves like rock bands and to stretch beyond their comfort zones. Held On The Tips Of Fingers twisted in digital trickery to a frontline of heavyweight tenor saxophonists, dazzling with folksy anthems such as ‘Bear Town’ or the drum ’n’ bass drenched ‘Fluffy’. A stylistic crossroads where folk, avant-jazz, electronica and raw punk co-existed, Rochford’s music was aptly called “the sound of the future” even though it betrayed a love of Ellington, Monk and, yes, Napalm Death. Not only the most gifted jazz drummer of his generation, bandleader Sebastian Rochford crafted sublimely original chamber music. Such was the brilliance of Polar Bear’s Held On The Tips Of Fingers, the band’s second release, it almost won the 2005 Mercury Music Prize. Sebastian Rochford (d), Pete Wareham, Mark Lockheart (ts), Tom Herbert (b), Leafcutter John (programming) plus Jonny Philips (g), Ingrid Laubrock (ts), Joe Bentley (tb), Emma Smith (v) and Hannah Marshall (c). Polar Bear: Held On The Tips of Fingers (Babel) The 100 Jazz Albums That Shook The World is exclusively available in print and includes new in-depth editorial on each album from Jazzwise's acclaimed team of writers, plus in-depth features on the making of the top three albums, a look at the albums that almost made the cut and a guide to buying the featured titles on LP and CD. We have now taken the concept much further with a new publication – The 100 Jazz Albums That Shook The World – a 100-page definitive guide to the most important and influential jazz albums that have gone on to change and shape the course of the music from the 1920s to the present day. "The Economics of Two-Sided Markets.The list featured below was originally published in the August 2006 issue of Jazzwise magazine and quickly established itself as a key reference for anyone interested in exploring the rich history of jazz on record. Finally, I consider the implications for public policy, particularly antitrust and regulatory policy, where there have been a number of recent issues involving media, computer operating systems, and payment cards. I discuss the strategies that firms typically consider, and I highlight a number of puzzling outcomes from the perspective of the economics of two-sided markets. This paper seeks to explain what two-sided markets are and why they interest economists. Many more products fit into this paradigm, such as search engines, newspapers, and almost any advertiser-supported media (examples in which consumers typically negatively value, rather than positively value, the participation of the other side), as well as most software or title-based operating systems and consumer electronics. Similarly, a successful payment card requires both consumer usage and merchant acceptance, where both consumers and merchants value each others' participation. Neither consumers nor game developers will be interested in the PlayStation if the other party is not. In the case of a video game system, for instance PlayStation, the intermediary is the console producer - Sony - while the two sets of agents are consumers and video game developers. Broadly speaking, a two-sided market is one in which 1) two sets of agents interact through an intermediary or platform, and 2) the decisions of each set of agents affects the outcomes of the other set of agents, typically through an externality.
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